This is the scene of the main narrative character and the love interest walking together to hold hands, we overlapped these so that they fade into one another and you can still see the other shots playing behind it for a short amount of time. By overlapping the two shots, it created a transition between one to the other.
We chose to have these overlapping because it meant that when the love-interest walks away and the main narrative character turns to grab her, he is then also stood facing away from them holding his head. You then see the main character walking away down the hill, the opposite way to which the love interest went.
This is the scene where the main narrative character is seen by the ex outside her window looking up at her, first the camera is focused on the love-interest and then pans round to show you her POV which is off the main narrative character on the path outside her house. We decided to overlay these which means that they transition by fading into one another. We slowed down the zooming shot by slowing down the play-back rate to 0.25, this makes the zoom look more effective than it did when it was at normal speed.
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